As distinct from history, archaeology deals with a long-gone past of which we have no personal memory. Archaeological open air museums aim to bring that distant past to life. Their stories are key, serving as a bridge between science and the public. Because they create memories, archaeological museums are responsible for transmitting an accurate message to visitors, to provide answers and raise questions such as ‘who would we like to have been?’ and ‘who do we want to be now and in the future?’ http://exarc.net/
Archaeological open air museums do not present collections of findings and artefacts. They present a pure interpretation of the past, ideally based on the latest research. Archaeological open air museums have a special relationship with memory. Although they sometimes offer a more creative and artistic interpretation of the past through collaborative projects, conferences and publications they are useful in linking the reality of the past with the present context. In addition, they can offer visitors an alternative view of the world and help them to find answers. The main challenge lies in helping visitors find new ways to explore a complex past and to ask questions that help them understand the present, thus generating ideas for the future.
In context of environmental care and societal development, museums can be seen as institutions that help to foster or develop awareness of the need to change people 's attitudes to the environment, in particular in terms of biodiversity, energy politics, and poor social conditions in some countries.
In my view, as memory and cultural heritage are key elements of wellbeing and the ability to maintain and reflect on traditions and identities in order to shape the future, preserving memory should be integrated into each vision of this planet. Today, we live in a world where entertainment dominates over education, and in order to provide the public with knowledge , open air archaeology museums find a good method to provide examples of alternative ways of thinking and living.
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